The advantage to this is that it lets you apply heavy chains of processing to a track without the CPU load that comes with it. What this does is apply that processing to the audio files almost like its printed on the track. This is really cool – it lets you apply audio processing, either from Nuendo itself or a plugin, directly to audio clips selected in your project. Nuendo 8, just like Cubase 9.5, has the same Direct Offline Processing feature.

Nuendo does help make the naming convention a little easier by letting you import a CSV file that with all that information pre-loaded. I personally used the Unity game engine to test with Nuendo and working between both software, I did not face much trouble at all. It doesn’t seem like it would be a problem for most people, but especially when you are working on a game, your naming convention has to be the same in Nuendo as it is in whatever game engine or middleware you are using. Version 8 brings Game Audio Connet 2 which connects to Wwise and lets you transfer your composition, including audio and MIDI tracks, giving you a lot more flexibility with middleware integration.Ī cool quality-of-life change in Nuendo 8 is the ability to rename events from a list window. For example, when you place a sound to the left in the sphere, if the user turned their head 180 degrees, they would now be hearing the sound in their right ear instead and you can hear the sound smoothly changing from one side to the other as you would expect. You can place the sound anywhere in that sphere, and in conjunction with head tracking, that sphere moves and changes in 3D. Ambisonics basically lets you place sound in a sphere around the VR user. If you are working in Virtual Reality, especially in games, Ambisonics Support and Headtracking are going to help you take your audio to the next level. Nuendo 8.3 saw the release of a bunch of tools geared towards Virtual Reality like Ambisonics Support, Headtracking, Go Pro VR player and support for VR related plugins like Facebook 360. What I will do is talk about the features I felt were most significant to me in my time using Nuendo 8. There are so many new features included, especially with the release of 8.3, that I won’t be able to go in depth about every single one. In this review, I will be focusing on what version 8 brings to the table, and if Steinberg manages to cater to each industry’s needs. Where Nuendo differs are some very key areas concerning video games, film, and TV. In fact, you can even open Cubase projects in Nuendo with 100% compatibility. Nuendo has, essentially, the same exact audio engine as Cubase. Nuendo should look very familiar to you if you are a Cubase user. But I cannot edit or rename this Content Set part.Hey there Gear Mortals, today I’m going to be taking a look at Nuendo 8 by Steinberg! For example as you can see at the screenshot, I can find Marco Minnermann Kit when clik on Groove Agent in Media Bay Right Zone, but cannot find Funk Essentials which its content set part is empty. If is named such as “Trip” then you can see it under Halion Sonic at the right zone. If this part is empty then the VST does not seen in Media Bay right zone. There is a section called “Content Set” in media bay window. But my Cubase at home studio has this problem. I upgraded my Cubase to 11 at studio, it can show all installed products at medibay right zone with thumbnails.

But I still can’t see them at right zone. I installed them to the default install location. I downloaded them again via Steinberg Downloader. I have removed not seen libraries from Steniberg Library Manager. So the problem is with mediabay right zone. The ones that are not seen at right zone can be found in Groove Agent. But cannot find it at right zone!Īlso some of Groove Agent libraries are seen at the right zone, some are not. I can find it under Mediabay (F5) and load samples. Some of Steinberg loops do not appear under Loops & Samples at Mediabay Right Zone.įor example I install “Loopset Ambient Lounge”.

Vst thumbnails in nuendo 8